She said that the song was like throwing ten bullets back at them, becoming one of many other protest songs written by Simone.Her music spanned a broad range of musical styles including classical, jazz, blues, folk, RB, gospel, and pop.
![]() She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with I Loves You, Porgy. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, 6 and accompanied expressive, jazz-like singing in her contralto voice. The sixth of eight children 9 in a poor family, she began playing piano at the age of three or four; the first song she learned was God Be With You, Till We Meet Again. Demonstrating a talent with the piano, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. She said that she refused to play until her parents were moved back to the front, 12 13 and that the incident contributed to her later involvement in the civil rights movement. Simones mother, Mary Kate Waymon (ne Irvin, November 20, 1901 April 30, 2001), 15 was a Methodist minister and a housemaid. Her father, Rev. John Devan Waymon (June 24, 1898 October 23, 1972), 16 was a handyman who at one time owned a dry-cleaning business, but also suffered bouts of ill health. Simones music teacher helped establish a special fund to pay for her education. Subsequently, a local fund was set up to assist her continued education. With the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina. Only 3 of 72 applicants were accepted that year, 19 but as her family had relocated to Philadelphia in the expectation of her entry to Curtis, the blow to her aspirations was particularly heavy. For the rest of her life, she suspected that her application had been denied because of racial prejudice. Discouraged, she took private piano lessons with Vladimir Sokoloff, a professor at Curtis, but never could re-apply due to the fact that at the time the Curtis institute did not accept students over 21. She took a job as a photographers assistant, but also found work as an accompanist at Arlene Smith s vocal studio and taught piano from her home in Philadelphia. Nina Simone Album Movie Casque DOrNina, derived from nia, was a nickname given to her by a boyfriend named Chico, 18 and Simone was taken from the French actress Simone Signoret, whom she had seen in the 1952 movie Casque dOr. Knowing her mother would not approve of playing the Devils music, she used her new stage name to remain undetected. Simones mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base. It became her only Billboard top 20 success in the United States, and her debut album Little Girl Blue followed in February 1959 on Bethlehem Records. Simone lost more than 1 million in royalties (notably for the 1980s re-release of her version of the jazz standard My Baby Just Cares for Me ) and never benefited financially from the albums sales because she had sold her rights outright for 3,000. After the release of her live album Nina Simone at Town Hall, Simone became a favorite performer in Greenwich Village. By this time, Simone performed pop music only to make money to continue her classical music studies, and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career. He later became her manager and the father of her daughter Lisa, but he abused Simone psychologically and physically. She had always included songs in her repertoire that drew on her African-American heritage, such as Brown Baby by Oscar Brown and Zungo by Michael Olatunji on her album Nina at the Village Gate in 1962. On her debut album for Philips, Nina Simone in Concert (1964), for the first time she addressed racial inequality in the United States in the song Mississippi Goddam. This was her response to the June 12, 1963, murder of Medgar Evers and the September 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Alabama, that killed four young black girls and partly blinded a fifth.
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